In the 1970s and 1980s, Shanghai farce was full of vitality once again. Many plays performed by the "Shuang-character generation" were sensational and popular. Qu Mingrong remembers that at that time, two tickets for Spring Garden can be exchanged for a pair of Dutch leather shoes. While for the audiences from other provinces, they had to register at the Labor Theater with a letter of introduction to watch Baby under the Street Lamp.